Keeping in mind that tile itself is
basically baked dirt, the overall process
hasn't changed much in the last century,
and some of the process has shortened the
firing time and made the tile harder and
more durable or more pleasing to the eye.
But the overall process still consists
of taking clays refining them drying, pressing
or extruding, decorating/glazing and baking
in ovens known as kilns.
Here we will take you through a tour
which will briefly show some of the process,
we have omitted allot of technical, prep
and packaging photo's, just to give you
a sense of the process.
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This photo
shows the glaze as it is stored in
bags until the time is to be blended,
Glaze is called "Frit" which
is a type of glass and is blended
and applied in many ways. |
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Here we are showing
a ball mill. Large drums are used
with Aluminum balls varying in size
from 6" around in some cases
to ½" are inside the
drum and The tiles body product the "clay
or the Glaze Frit can be tumbled
and prepared individually until the
time it is ready for the next process.
Note man in back of photo to get
an idea of size of the ball mill. |
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After the body or
clay is prepped a drying needs to
take place to remove moisture for
the forming of the tile, in most
factories a "Spray Dryer" is
used, this is best described as a
large 4 or 5 story metal structure
which looks like a funnel. The wet
clay is shot under great pressure
up into the spray dryer from near
the bottom, and as it is settling
back down to the bottom it is dried
by hot air that is flowing in the
spray dryer. When the clay has settled
to the bottom via gravity it is at
desirable moisture content for forming
and has formed into a small pellet
not unlike a small BB.
A conveyor system will transport the clay to the next step. |
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After a proper blending
and drying the clay runs to the press
area where the clay is flowed into
a mold and pressed under many hundreds
of tons of pressure to form a "Greenware" tile
body. A press can be for a small
trim tile or a massive 24"x24" tile.
Shown here are two shots one of a
single press and one of an entire
press line. |
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Once leaving the press
in some factories the greenware goes
to a holding area automatically until
the body is ready for glaze, normally
the holding time is only minutes
long.
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After pressing and
before firing the glazing process
begins in most factories, (although
some factories still fire the basic
clay without glaze and create a "Bisque" or
unglazed body for later firing or
they sell the bisque to another company
who may only glaze in their factory
for specialized reasons), in most
factories they quickly move to the
glaze process before firing. |
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The glaze has been
blended and is ready for the application
to the tile by one many types of
methods, or many various application
methods can be applied to a single
tile, known a "stages",
some tiles can have as many as
20 application stages.
This picture shows a rotary
glaze application
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The picture here shows
a full glaze line with many stages |
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This is a photo of
a spray glaze line open for cleaning
for the next glaze color. |
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A rotating glaze
brush applicator, the glaze is
applied and then brushed to create
a "Faux" affect in some
cases.
A glaze line in the glazing
process, the glaze is very liquid,
it is pumped form the bottom
of the drum and sprayed onto
the tile then any glaze not adhering
to the tile is flowed back into
the drum via the tube you can
see for processing again through
the pump.
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After glazing the
process of firing takes place. It
is really impossible to show you
the scope of this process. These
gas kilns used today can be as long
a football field and fire at 2200
degrees. The tiles are automatically
loaded into the throat of the kiln
and a sent down a long path through
the kiln at, warm up, full temperature
and cool down, until the tiles can
be sorted and boxed without leaving
the production line. This process
can take as little as 40 minutes.
The tiles roll down the line on ceramic
rollers made of "refractory" material. |
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This shot shows a
full shot of a kiln, the refractory
rollers appear as the white stripe
down the middle. |
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A closer shot only
showing middle to back of a kiln. |
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A photo here shows
a final cool down area before sorting
takes place.
The final process before automated boxing shows a "master shade
table". The human element comes into play here, the tiles are
measured during the process for square and size by lasers, color
and shading can be checked with light measuring devices also but
all tiles must pass by a human for the final look. |
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| This photo shows a
lighted slant table where tiles of
acceptable shade (master samples)
are placed in front of a person who
will check as the tiles go by for
seconds or rejects, and are marked
accordingly. |
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A typical floor tile
plant making 250,000 square feet
per week can employ only 14 people
per shift, making this a very automated
process compared to factories 10-20
years ago. I hope you enjoyed your
brief tour. |